12-15-2025
Lee Ann Roripaugh
#ONTHEROAD
hotel’s liminal :: blur / anywhere-ness / any- :: one-ness / then merges
back into the tricky on- :: ramp of your own lonesome skin
~
propane deep blue clouds :: with gaslit underbellies :: reflected back in
glass-bright sloughs / red-winged blackbirds :: studding the mile marker posts
~
cherry pit stop gas :: and casino / minnows and ammo :: bait worms out back!
fueling on the precipice :: of springtime’s epoch ellipse
~
semiology :: spink wakonda vanitas :: overpass may be
icy jesus saves BOW-X-HUNT :: tea adult supercenter
~
little birds stipple :: a milky sky / sticky leaves’ :: wet yellow makes the
center line brighter / rain-drenched :: heads of sunflowers sadder
~
busy buzz of snow : like insects in a hurry :: an agitation
of snow geese burst white kernels :: popcorning in stubble corn
~
filaments of geese :: and cranes cross-stitching the mist :: down I-29
squeaky dry-erase markers :: rubbing on the whiteboard sky
~
the morning’s thin rime :: of soft frost scraping off in :: slow spiraling curls
like vegetable skins rinding :: off a peeler’s sharp bride blade
~
snow dragons lick the :: interstate with frostbitten :: breath / skidoo-ing through
stunned tundra with no regard :: for day-glo orange safety cones
#KLONOPINSONGS #ATIVANCAN
hell-o, 3:00 a.m. :: vise-clench aching in my chest :: hot spillage of tears
hell-o, exponential woe :: trouble's raggedy nibble
hell-o blues / you know :: my tune / your note well-creased, soft :: in my back pocket
your stain whorled into the groove :: of my thumb / your bruised hour ripe
~
hoarse laugh of awkward :: first light slatting through ozone :: just enough to still
antennae’s frantic scramble :: for dangerous signals / float
in medias res :: in this weak amber / to dream :: the weakened spent dreams
of palimpsest and leaf-vein :: that recycled teabags dream
~
o, the relentless :: extraction of stuff from self :: as if the self’s just
a spent tube of mutinous :: toothpaste / or a melon balled
all the way down to :: sheer-scraped rind / or a cat-licked :: plate / o ativan,
(o) tiny moon / please eclipse me :: from this cracked and jagged day
#SANDHILLCRANES
sizzle of orange :: lightning / the corrugated :: tin blind a gaunt bell
clanging in the wind and rain :: curious deer near to see
~
roosting overnight :: in clusters on the river’s :: sandbars / cranes stirred to
call and response by the storm :: say hello (hello) hell-oh
~
scribbled warble of :: cranes graffiti night’s water :: a river otter’s
sleek whiskered head interrupts :: the river’s tense murmuring
~
train whistle’s blurred smear :: cut by coyotes’ yip and wail :: the wood-block chortling
of cranes gets frenetic / as :: sun’s wobbly gold yolk slides up
~
thousands of sandhills :: helix off sandbars into :: spirographed kettling
football stadium loud / iced :: river exhales puffs of fog
~
a whooping crane takes :: wing from the cornfield in snow :: ukiyo-e
cranes in snow / moon craning :: the river trills all night long
~
obfuscatory :: crooning slices through the mist :: filaments of cranes
unraveling / shaggy yarn :: from a woolly skein of fog
~
a flyover plane :: cranes burble silver water :: chirping lotto balls
oil empire’s blinking neon :: signage strobes the horizon
-from #stringofbeads by Lee Ann Roripaugh--celebrated with the author's permission and selected by PoemoftheWeek.com Founder and Editor, Andrew McFadyen-Ketchum
Lee Ann Roripaugh is the author of four volumes of poetry, the most recent of which, Dandarians, was released by Milkweed Editions in September 2014. #stringofbeads, a chapbook, was released by Diode Editions in 2023. Her second volume, Year of the Snake (Southern Illinois University Press), was named winner of the Association of Asian American Studies Book Award in Poetry/Prose for 2004, and her first book, Beyond Heart Mountain (Penguin Books), was a 1998 winner of the National Poetry Series. The recipient of a 2003 Archibald Bush Foundation Individual Artist Fellowship, she was also named the 2004 winner of the Prairie Schooner Strousse Award, the 2001 winner of the Frederick Manfred Award for Best Creative Writing awarded by the Western Literature Association, and the 1995 winner of the Randall Jarrell International Poetry Prize. Her short stories have been shortlisted as stories of note in the Pushcart Prize anthologies, and two of her essays have been shortlisted as essays of note for the Best American Essays anthology. Her poetry and short stories have appeared in numerous journals and anthologies. Roripaugh is currently a Professor of English at the University of South Dakota, where she serves as Director of Creative Writing and Editor-in-Chief of South Dakota Review.










